Export each shot as ProRes4444 with trillions of colors.I use Magic Bullet Resizer to upres the footage to 1920×1080.Set the project to 16bit (as ML raw records at 14-bit uncompressed, rather than 8-bit H.264 like we are used to).Some people add a filter here to convert the raw footage into a “log” type look here, but I have yet to try that out, so I can’t comment.Open the DNGs in After Effects using the Adobe Camera Raw plugin.Convert the ML raw footage to DNGs using RawMagic Lite.There are lots of options for post-production workflow, but this is mine given my current resources (a 2011 macbook pro and the Adobe CS6 suite): I wasn’t able to get continuous recording on the fly at 1920×1080 (I hadn’t had time to test the nightly build and prep before the protest started), so I dropped resolution to something like 1780 in order to record for over a minute or two at a time. The rest was shot in “crop mode” to increase resolution as well as effectively zoom my 50mm lens from 80mm effective to 200mm effective. The first shot was in regular mode at 1568×882.
50mm/f1.8 lens, ISO 3200, aperture set to 2.4 or 2.8 to preserve a bit of depth of field that would be lost at 1.8. The first video above was shot on the 50D in raw rec mode. Ok, so here are the details of the production. In addition, one benefit of shooting raw at this event was that I was stuck in the middle/back of the crowd, so the “crop factor” of shooting in crop mode, which effectively turned my 50mm lens into a 200mm, was of great use, giving me a much more telephoto image in order to see the organizers at the front of the crowd (for example). And I have to say I’m super impressed at the quality of the footage shot at night with no additional lighting at such a high ISO as 3200. A lot of the frame just goes to solid black in the H.264 footage, while so much more detail is preserved in the raw footage. The difference in dynamic range and low-light sensitivity is remarkable in my opinion. Here’s footage shot the same night in H.264: It’s definitely more labor intensive to shoot raw, but the difference is worth it I think. FREE .I recently shot this raw footage using my 50D, and I thought it might be helpful to walk folks through the post-production workflow process. Lita Lita is a freeĪnd open source SQLite database administration tool for Windows.
Trusted Mac download RAWMagic Lite 1.1.3. Lantern RAW file intoĬomponent DNGs, Resolve Lite can import those files really easily. Other ML RAW to DNG conversion tool, RAWMagic. The Magic Lantern RAW Video app on Windows. Download, install or update RAWMagic Lite (Mac) - RAW video converter - from RAWMagic Lite is the professional cinematographer's favorite RAW videoĬonverter for Magic Lantern-equipped Canon HDSLR cameras. Would like to process in Adobe After Effects, Download and install .
You are on Mac OS X, I recommend RawMagic Lite \ RawMagic, which. If you are on Windows, I recommend you use Raw2CDNG, which happens. 1.1.0 - Compiled statically, modified multi-threading 1.1.3 - Fixed memory leakġ.2.0 - 16-bit TIF, fixed colour issues. Way I can get RawMagic Lite DMG? I know its free, but My . Any chance you might be able to cover this for PC/Windows? Read more. If you need support for the newer MLV format, check out RAWMagic. RAWMagic Lite supports the Magic Lantern RAW file format. Select another camera model to be written to Cinema.File spanning support when shooting to FAT3.That's it! Magic Lantern is a RAW video recording modification for Canon HDSLRs that allows the recording of RAW video, just like with much more expensive cameras designed for professional cinematography. It's also the easiest way to convert your RAW footage to Cinema.ĭNG files for online editing and color grading. RAWMagic Lite is the professional cinematographer's favorite RAW video converter for Magic Lantern- equipped Canon HDSLR cameras. RAWMagic Lite is the professional cinematographer's favorite RAW video converter for Magic Lantern-equipped Canon HDSLR cameras.
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